Friday, January 24, 2020

Comparing the Forgotten God of Love in Robert Bridges’ Poem EPÙà and An

Comparing the Forgotten God of Love in Robert Bridges’ Poem EPÙÓ and Anne Stevenson’s Poem Eros It is often—in books, poems, paintings, and sculptures—that one hears of and sees the goddess of love. But when is it that one hears of the god? In Greek mythology, Eros is the god of love, and a god who is many times overlooked. In Robert Bridges’ â€Å"EPÙÓ† and Anne Stevenson’s â€Å"Eros†, the idea that Eros is overlooked is portrayed, but in two separate ways. Techniques such as diction, imagery, and tone are used to help convey the idea. EPÙÓ, Greek for Eros, is shown to be beautiful in Bridges’ poem: beautiful and adored, yet forgotten. Eros is venerated—called â€Å"idol†, and he plagues the heart as a â€Å"tyrant.† He is a â€Å"flower† of â€Å"lovely youth,† and an image of â€Å"eternal truth.† Through these strong words, Eros is portrayed to be the god that people all look up to in admiration for his credible honor and ideal beauty. Eros is so striking that only the famous Pheidias, the Greek Sculptor, can compare through his â€Å"marmoreal† works. Greek sculptors strove for perfection and this Eros was—perfection. Although giving thought and love to others, he received none back, yet continued his job without complaint. People recognize the youth and beauty of love with the vivid images that Bridges uses. â€Å"With thy exuberant flesh so fair,† people are able to see Eros’s outward beauty. At that instantaneous moment, peo ple are enthralled by Eros’ splendor, but once they are satisfied, they forget, and their momentary enchantment disappears. â€Å"None who e’er long’d for thy embrace, Hath cared to look upon thy face.† All those who yearned for love, received it, but once having done so, neglected to see and look upon Eros. By using these beautiful words and... ... for lust, but he would rather take the effects of it—being beaten and hurt—then cave in and support not love, but lust. Eros was made into a dilapidated, worn out god by the people who used him. He is â€Å"the archetypes that you create,† and thus shown to be an undesirable and unsightly god due to people’s demands for lust. In both poems, Eros is misunderstood and forgotten. The proper respects for the one who grants love, and thus happiness is not given. Through the different uses of diction and imagery, different tones were established in the two poems. In Bridges’ â€Å"EPÙÓ,† Eros is shown to be the forgotten beauty, and in Stevenson’s â€Å"Eros,† Eros is portrayed as the broken, tired, and misunderstood god. Contrasting, yet similar, both poems depicted Eros, the god of love, as a neglected god, often finding himself in situations where improper respects were paid. Comparing the Forgotten God of Love in Robert Bridges’ Poem EPÙÓ and An Comparing the Forgotten God of Love in Robert Bridges’ Poem EPÙÓ and Anne Stevenson’s Poem Eros It is often—in books, poems, paintings, and sculptures—that one hears of and sees the goddess of love. But when is it that one hears of the god? In Greek mythology, Eros is the god of love, and a god who is many times overlooked. In Robert Bridges’ â€Å"EPÙÓ† and Anne Stevenson’s â€Å"Eros†, the idea that Eros is overlooked is portrayed, but in two separate ways. Techniques such as diction, imagery, and tone are used to help convey the idea. EPÙÓ, Greek for Eros, is shown to be beautiful in Bridges’ poem: beautiful and adored, yet forgotten. Eros is venerated—called â€Å"idol†, and he plagues the heart as a â€Å"tyrant.† He is a â€Å"flower† of â€Å"lovely youth,† and an image of â€Å"eternal truth.† Through these strong words, Eros is portrayed to be the god that people all look up to in admiration for his credible honor and ideal beauty. Eros is so striking that only the famous Pheidias, the Greek Sculptor, can compare through his â€Å"marmoreal† works. Greek sculptors strove for perfection and this Eros was—perfection. Although giving thought and love to others, he received none back, yet continued his job without complaint. People recognize the youth and beauty of love with the vivid images that Bridges uses. â€Å"With thy exuberant flesh so fair,† people are able to see Eros’s outward beauty. At that instantaneous moment, peo ple are enthralled by Eros’ splendor, but once they are satisfied, they forget, and their momentary enchantment disappears. â€Å"None who e’er long’d for thy embrace, Hath cared to look upon thy face.† All those who yearned for love, received it, but once having done so, neglected to see and look upon Eros. By using these beautiful words and... ... for lust, but he would rather take the effects of it—being beaten and hurt—then cave in and support not love, but lust. Eros was made into a dilapidated, worn out god by the people who used him. He is â€Å"the archetypes that you create,† and thus shown to be an undesirable and unsightly god due to people’s demands for lust. In both poems, Eros is misunderstood and forgotten. The proper respects for the one who grants love, and thus happiness is not given. Through the different uses of diction and imagery, different tones were established in the two poems. In Bridges’ â€Å"EPÙÓ,† Eros is shown to be the forgotten beauty, and in Stevenson’s â€Å"Eros,† Eros is portrayed as the broken, tired, and misunderstood god. Contrasting, yet similar, both poems depicted Eros, the god of love, as a neglected god, often finding himself in situations where improper respects were paid.

Thursday, January 16, 2020

History of Filmmaking Essay

The main problem with assigning national identity to films is the enticement to pick movies to fit the premise. Hardly ever does a director present any significant standards by which particular films have been chosen for analysis. To give a specific example, one merely has to consider the Japanese instance of Kurosawa Akira whose movies regularly received positive commendation both overseas and in domestic ratings, yet several of Akira’s films remain difficult to get to to the mainstream Japanese viewers. Another problem for assigning national identity to films is the relative lack of engagement with modern social and political concerns or conditions. It’s pretty evident with Australian films (Nadia Tass, Malcolm and The Big Steal). Australian movies do not create a point of plainly and continually pondering over national identity. They take the method of conveying tales in a local context and allowing inquiries of national identity work out themselves in the backdrop through the working of their diverse and unlikely narratives. The issue of â€Å"what does it mean to be Australian? is responded upon by illustrating various Australians, in unusual situations, with several problems. In my humble opinion, studies with this stature helps shine a ray of light on how and why the nation pass on a meaningful masterpiece in their local perspective, the focal point should be on reputation within the related/state/area as the major norm for selection.. Whether they have established vital praise at ‘key film festivals’ is another material connected to ‘art house’ films, which is frequently not a fine statistic of admired appeal and consequently not a superior indicator of community communication.

Wednesday, January 8, 2020

Effects Of Multitasking On The Brain - 2134 Words

Introduction: Audience: Future Scientist and Known Multi- Taskers, also the President The Effects of Multitasking on the Brain Hook: Everyone thinks that multitasking is good for the brain and that everyone should want that skill. Well unfortunately studies proven by scientist at the institute in Paris Santà © et de la Recherche Mà ©dication found that the brain splits into two, basically splitting the attention. It was said that at the most someone can do two things at once depending on the ease of the tasks. The reason being for this is due to the two frontal lobes of the brain designed to help someone with tasks. Intro of subject/issue: Through people may think may think â€Å"well i can do my homework, check my phone, and listen to some dance music all at the same time†, but the ease of turning on a screen, pressing play on the screen while looking at notifications, also while reading and writing doesn t compare to driving a car while checking the phone. According to neuroscientist Etienne Koechlin extensive practice of a single task to where there is no room for improvement makes multitasking a lot easier for large task such as putting on makeup while driving (moms). Thesis: All of this is quite fascinating but according to neurologist Adam Gazzaley of the University of California, San Francisco multitasking is harder with age. Meaning memory has a part in multitasking as to being able to switch off certain networks of the brain responsible for processing information. As aShow MoreRelatedThe Negative Effects Of Multitasking963 Words   |  4 Pages2017 Effects of Multitasking Multitasking is becoming very significant on the workplace to complete the task in less time. In fact, some people believe that multitasking saves time and can be done at all together. On the other hand, some people think that it is a distracting activity which leads to a lack of concentration. 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